Cleveland I Came, I saw and we shall see what happens…
October 7th, 2008
Comedy is like dating a girl that you have to constantly prove each and everyday that you love her. Every performance you have to prove that you belong.
I haven’t written much lately due to lack of inspiration, and the fact that I simply haven’t been motivated. So in a rare moment as I wake from a less than stellar night of sleep, I opened my laptop, began writing, and this is what came out of it.
I’ve been doing comedy since I was fifteen, longer if you count the years of trouble I managed to get into because there wasn’t a clear vision for my antics and behavior at the time. I have worked my way up the ranks despite the industry’s desire to push the least talented on the world. I have never been in a field where anyone can be passed over so much. I truly feel Jewish fifty percent of the time; I get passed over so much. I bring it every time I’m supposed to bring it on stage. Never do I dare give a Jamie Kennedy performance. I challenge any comic coming up in this business to out duel me when it comes to creativity. Am I a black comic? Yes. Am I a funny black comic? Hell yes. Am I your average hacky black comic? Not even if I tried, could I be. I don’t think the industry will allow more than two or three smart black comics on the scene at the same time. If they do, that means nine or ten white comics would be out of work.
So that brings me to the point of this blog. I’m working the Cleveland Improv again this week. I agreed to do a split week, where I headline Wednesday, Thursday and feature for the headliner the rest of the week. It’s a bit of a buzz kill to get demoted, but what can I do right? They throw me in the well lived in comedy condo, where comics have probably shit on walls, murdered a groupie, or fucking died themselves. Nonetheless, I have two good shows, and then Friday around noon, the club manager calls me and asks can he talk to me. I’m thinking “OH SHIT”, he’s about to tell me the headliner decided to bring someone to feature and that I won’t be able to work the rest of the week. Because believe it or not, Bitch shit like that happens far too often. However, on this day the comedy Gods decided to shine down on me. He calmly says to me “how do you feel about headlining the rest of the week?” I truly thought he was fucking with me. But he was as serious as the state of the economy. I almost lost my shit. I was somewhat offended he even had to ask me that. I said yes like seventeen times. Why wouldn’t I want to headline? I wouldn’t even know how to say no if I wanted to. It wasn’t the upfront way I had always dreamed of, but it is a scenario I have played with in my head. But in mine I think the headliner dies and can’t make it.
So here I am in Cleveland, the second poorest city in the country. Cleveland being the poorest city makes no sense to me since the government has yet to clean up and resurrect New Orleans, since operation “wash a nigga away” is still active. I prepare myself to handle an entire week of shows. I prepare myself to handle a crowd who paid to see Adele Givens, but will be introduced to Maronzio Vance. My job is to perform and give the people a show that will make them forget they even thought about coming to see Adele Givens. Nothing against her or any disrespect to directed her way. But it’s my time to shine. At the time of this blog it’s Sunday morning, I’m watching the pregame game show on ESPN, it’s about fifty-seven degrees outside. I’ve made it through six shows, and one more to go. The most stand-up I’ve done in one week, my entire career. Headlining is no joke at all. You have to be on your A game. No if, no ands, no butts about it. It’s real. You have to pace yourself, maintain and perform. That I have done.
I may go back to being a feature, which is the harsh reality, but I was a headliner for a weekend. People may read this and say, “Why can’t he be positive, they may give him another week somewhere.” Bullshit! Yeah it sounds like the right thing to do, but they won’t do it. Why would they move me up when they have shitty acts out there to force on the world? I mean Gallagher, is back on the scene people. I can’t top that, because he smashes watermelons. You can’t follow watermelon smashing, it’s career suicide. That is true comedic genius. How can I top it? Maybe I jerk the microphone off with my feet, or maybe I can use a puppet, or even flip the tables. Or instead of a white comic telling hip and urban black jokes, I will become a black comic telling smart, corny republican jokes. It has to work right? Only time will tell.
Thank you Cleveland for your time, let’s do it again real soon.


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